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The son of a farmer turned factory worker, he learned the rudiments of photography in the employee camera club at the Chrysler Corporation in Detroit. In 1946 Callahan joined the faculty of the Institute of Design in Chicago (ID), then under the direction of László Moholy-Nagy. Encouraged that artist’s \"New Vision,\" he combined Modernist elegance with technical finesse. He became head of the ID photography department in 1949, and soon hired Aaron Siskind. The interchange between the two, and Modernist vision and an extemporaneous Expressionist style generated a distinctive school of photography at the ID. This photograph reflects Callahan’s experience of twentieth-century urban life, a visual adventure of geometric form on a monumental scale, rather than a disheartening unnatural ordeal of alienation.\r\rfrom Touchstones of the Twentieth Century: A History of Photography at the University of Notre Dame (exhibition, 2020-21)"]},"metadata":[{"label":{"en":["Creator"]},"value":{"en":["Harry Callahan (American, 1912 - 1999)"]}},{"label":{"en":["Date"]},"value":{"en":["ca. 1968"]}},{"label":{"en":["Classification"]},"value":{"en":["Photographs"]}},{"label":{"en":["Medium"]},"value":{"en":["Gelatin silver print on mount"]}},{"label":{"en":["Accession number"]},"value":{"en":["1993.041.001"]}},{"label":{"en":["Copyright Statement"]},"value":{"en":["© Pace/MacGill Gallery, New York"]}},{"label":{"en":["Access"]},"value":{"en":["Not on view, please request access."]}},{"label":{"en":["Dimensions"]},"value":{"en":["20 x 15 in. (50.9 x 38.1 cm)"]}},{"label":{"en":["Credit Line"]},"value":{"en":["Gift of Dr. and Mrs. Norval Green, by Exchange"]}}]}