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In Twenty-four Lines, from 1968, numerous blades converge into the shape of a single large blade, emphasizing his simplified selection of forms. This streamlining reduced the number of variables within his works, and Rickey focused on developing a simpler set of forms in more complex ways. He also became even more directly concerned with movement and how it might be variously displayed. In 1966 he left his teaching post at RPI [Rensselaer Polytechnic Institute] to again commit his efforts to sculpture full-time. \r\rfrom Kephart, Passages of Light and Time: George Rickey's Life in Motion (Notre Dame, 2009)"]},"metadata":[{"label":{"en":["Creator"]},"value":{"en":["George Rickey (American, 1907 - 2002)"]}},{"label":{"en":["Date"]},"value":{"en":["1968"]}},{"label":{"en":["Classification"]},"value":{"en":["Sculpture"]}},{"label":{"en":["Medium"]},"value":{"en":["Stainless steel"]}},{"label":{"en":["Accession number"]},"value":{"en":["2009.064.010"]}},{"label":{"en":["Copyright Statement"]},"value":{"en":["© George Rickey"]}},{"label":{"en":["Access"]},"value":{"en":["Not on view, please request access."]}},{"label":{"en":["Dimensions"]},"value":{"en":["96 x 72 in. (243.84 x 182.88 cm)"]}},{"label":{"en":["Credit Line"]},"value":{"en":["Gift of the George Rickey Foundation"]}}]}