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The refinement of the construction and decoration mark it, in any case, as one of the most important objects ever to emerge from the prehistory of the region.\r\rCondorhuasi effigy vessels are characterized by a wide degree of variation, but the raised oval eyes, beaked nose, recessed mouth and circular ears seen here are hallmarks of the general style. The facial features project forward through the combination of the red-slipped upper face outlined in beige and the shadows of the eyes, nose, and chin. This effect is enhanced by shadows cast by the roundels in the headdress and the ears, as well as by the braids that frame the lower face. The shape of the redslipped area, widely interpreted as a bird face by archaeologists, is first seen on Condorhuasi sculpture. \r\rDirectional crosses, opposed spirals bordering the cloak, and opposed bird heads between the braids are motifs from the Santa María inventory, but little is known of their origins. \r\rfrom O'Grady, Myth & Melancholy: The Mr. and Mrs. Robert E. O'Grady Collection of Southern Cone Art (Notre Dame, 2014)"]},"metadata":[{"label":{"en":["Creator"]},"value":{"en":["Unrecorded Condorhuasi-Alamito artist"]}},{"label":{"en":["Date"]},"value":{"en":["0-650"]}},{"label":{"en":["Classification"]},"value":{"en":["Vessels"]}},{"label":{"en":["Medium"]},"value":{"en":["Slipped ceramic"]}},{"label":{"en":["Accession number"]},"value":{"en":["2005.006"]}},{"label":{"en":["Access"]},"value":{"en":["Raclin Murphy Museum: 205A"]}},{"label":{"en":["Dimensions"]},"value":{"en":["7 x 4 1/2 x 3 3/4 in. 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