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Four blades are posted at the corners of a flat, square plane that is tilted to hang as a diamond. Each of these pendulums points toward opposite corners of the base, tracing its form with their paths of gentle motion as the air currents shift. The lines pass over the center at an intricate crossing that changes uniquely with every slight movement; intervals of chance turn this clock’s hands. In both works, lines weave in and out of one another and joints sew a secure link that enables the delicate motion of the sculptures’ parts—motion in which no sequence repeats over the life of the sculpture. \r\rfrom Kephart, Passages of Light and Time: George Rickey's Life in Motion (Notre Dame, 2009)"]},"metadata":[{"label":{"en":["Creator"]},"value":{"en":["George Rickey (American, 1907 - 2002)"]}},{"label":{"en":["Date"]},"value":{"en":["1974"]}},{"label":{"en":["Classification"]},"value":{"en":["Sculpture"]}},{"label":{"en":["Medium"]},"value":{"en":["Stainless steel"]}},{"label":{"en":["Accession number"]},"value":{"en":["2009.064.015"]}},{"label":{"en":["Copyright Statement"]},"value":{"en":["© George Rickey"]}},{"label":{"en":["Access"]},"value":{"en":["Raclin Murphy Museum: B01B"]}},{"label":{"en":["Dimensions"]},"value":{"en":["28 1/2 x 28 1/2 in. (72.39 x 72.39 cm)"]}},{"label":{"en":["Credit Line"]},"value":{"en":["Gift of the George Rickey Foundation"]}}]}