University of Notre Dame
Universtiy of Notre Dame

Marble: Museums, Archives, Rare Books and Libraries Exploration

Home Browse Featured My Portfolios About
  1. Home ›
  2. Le mirage from Objects of My Affection ›

Le mirage from Objects of My Affection

Date

1944

Creator

Man Ray aka Emmanuel Radnitzky
Raclin Murphy Museum of Art

Le mirage is one of the photographs from Objects of My Affection. It documents a construction that Man Ray made from repurposed mechanical components: "Transplanted to the home," states a typescript caption mounted on illustration board alongside the photograph, which may suggest that an earlier version of this piece was meant for the gallery or public exhibition. It is a peculiar mechanism, mounted off-center on a laminated plywood base, hanging on the wall like a clock. In this photograph, Man Ray located the plywood precisely within the frame, so that the near edge and far shadow reveal the depth of his construction. Projecting from the wooden base at a right angle is a dark cylindrical post, apparently mounted in a set of ball bearings in a race, so that the axle can swing freely. A bicycle mirror exists in a deep, complex space. Man Ray traced and painted the mirror's shadow on the base, so that if it were to swing, its resting position would appear constant. A string is tied to a screw eye in the end of the axle, from which a painted cube or die, with a different number on each face, hangs before the mirror. When the entire apparatus moves, the cube will twist and the mirror will reflect different numbers to the viewer. Also mounted on the screw eye is a pair of doll's eyes. Hanging on a short cord from the screw eye is a tiny hemispherical bell--a toy sleigh bell or jingle bell--with a detached clapper inside. If Man Ray's machine were set in motion by swinging the pendulous mirror, the numbered cube would twist and the eyes would jingle together and glance about unfocusedly, while the tiny bell below might sound an intermittent tinkle. Even at rest, however, the construction suggests to the viewer the potential effects of motion, a sense of expanding or contracting space, of gravity and change itself. The implied motion also suggests a passage of time: the duration of the imagined swinging and jiggling.

from Acton, A History of Photography at the University of Notre Dame: Twentieth Century (Notre Dame, 2019)

Images

This is called Le mirage from Objects of My Affection within the category of Photographs.Open in external viewer application
This is called Le mirage from Objects of My Affection within the category of Photographs.
This is called Le mirage from Objects of My Affection within the category of Photographs.

Metadata

Creator
Man Ray aka Emmanuel Radnitzky (American, 1890 - 1976)
Date
1944
Classification
Photographs
Medium
Gelatin silver print
Dimensions
7 7/8 x 4 7/8 in. (19.9 x 12.3 cm)
Credit Line
Humana Foundation Endowment
Copyright Status
Copyright
Copyright Statement
© Man Ray 2015 Trust / Artists Rights Society (ARS), NY/ADAGP, Paris
Subject
apparatuses
bells
cubes
mirrors
motion
plywood
time

Metadata

Accession Number
2016.006
Campus Location
Raclin Murphy Museum of Art
Access

Not on view, please request access

Metadata

Contact Us

Our collection information is a work in progress and may be updated as new research findings emerge. If you have spotted an error, please contact Raclin Murphy Museum of Art at RMMACollections@nd.edu.


Related Items

No results found for .
Raclin Murphy Art Museum
100 Raclin Murphy Museum of Art
Notre Dame, IN 46556 USA
Phone (574) 631–5466
RMMACollections@nd.edu
Hesburgh Library
284 Hesburgh Library
Notre Dame, IN 46556 USA
Phone (574) 631-6258
asklib@nd.edu
© 2025 University of Notre Dame
Marble: Museums, Archives, Rare Books and Libraries Exploration
AboutPortfoliosHelpAccessibilitySite Map