The Head of a Young Woman in Profile Looking up to the Left
Date
1535-1612
Creator
Location
Raclin Murphy Museum of Art
This drawing is a preparatory study for the head of Saint Lucy in Barocci's altarpiece Madonna with Saints Lucy and Anthony Abbot, formerly in the Danzetta Chapel in Sant'Agostino, Perugua, and now in the Louvre. The painting may have been executed around 1590 and is attributed to Barocci's nephew and gifted pupil Francesco Baldelli, an artist about whom very little is known. Although the altarpiece was not painted by Barocci, he doubtless conceived the composition and made numerous preparatory drawings for the finished work. As with many artists overburdened with multiple commissions, Barocci turned to his workshop to assist him. Not one to work from one or two studies, Barocci would have supplied his assistants with many compositional, figurative, and drapery studies in order that his visuals [sic] ideas be accurately replicated in paint. from Coleman, Seminar in Italian Baroque Drawings (Notre Dame, 2006)
Our collection information is a work in progress and may be updated as new research findings emerge. If you have spotted an error, please contact Raclin Murphy Museum of Art at RMMACollections@nd.edu.
![This drawing is a preparatory study for the head of Saint Lucy in Barocci's altarpiece Madonna with Saints Lucy and Anthony Abbot, formerly in the Danzetta Chapel in Sant'Agostino, Perugua, and now in the Louvre. The painting may have been executed around 1590 and is attributed to Barocci's nephew and gifted pupil Francesco Baldelli, an artist about whom very little is known. Although the altarpiece was not painted by Barocci, he doubtless conceived the composition and made numerous preparatory drawings for the finished work. As with many artists overburdened with multiple commissions, Barocci turned to his workshop to assist him. Not one to work from one or two studies, Barocci would have supplied his assistants with many compositional, figurative, and drapery studies in order that his visuals [sic] ideas be accurately replicated in paint.
from Coleman, Seminar in Italian Baroque Drawings (Notre Dame, 2006)](/_next/image?url=https%3A%2F%2Fiiif-image.library.nd.edu%2Fiiif%2F2%2F2006.069.036%2F2006_069_036-v0001%2Ffull%2Ffull%2F0%2Fdefault.jpg&w=3840&q=75)