Martyrdom of Saint Peter and Saint Paul, after Parmigianino
Date
ca. 1525
Creator
Location
Raclin Murphy Museum of Art
The precise subject of the Martyrdom is puzzling...That it is a scene of martyrdom is clear enough, but the identity of the saints is uncertain. [Giorgio] Vasari referred to the woodcut as a Beheading of Saints Peter and Paul, and this description is generally followed, but it does not fit with Peter's traditional death by inverted crucifixion...A simple explanation for this might be that Parmigianino decided to dispense with the tradition of Peter's crucifixion tradition for an unknown reason, and simply wished to depict in a single space the unorthodox execution of both apostles. from Coleman, Seminar in Sixteenth and Seventeenth Century: Old Masterworks on Paper (Notre Dame, 2013)
Our collection information is a work in progress and may be updated as new research findings emerge. If you have spotted an error, please contact Raclin Murphy Museum of Art at RMMACollections@nd.edu.
![The precise subject of the Martyrdom is puzzling...That it is a scene of martyrdom is clear enough, but the identity of the saints is uncertain. [Giorgio] Vasari referred to the woodcut as a Beheading of Saints Peter and Paul, and this description is generally followed, but it does not fit with Peter's traditional death by inverted crucifixion...A simple explanation for this might be that Parmigianino decided to dispense with the tradition of Peter's crucifixion tradition for an unknown reason, and simply wished to depict in a single space the unorthodox execution of both apostles.
from Coleman, Seminar in Sixteenth and Seventeenth Century: Old Masterworks on Paper (Notre Dame, 2013)](/_next/image?url=https%3A%2F%2Fiiif-image.library.nd.edu%2Fiiif%2F2%2F2012.021%2F2012_021-v0002%2Ffull%2Ffull%2F0%2Fdefault.jpg&w=3840&q=75)