Marble
University of Notre Dame
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Saint Louis Washing the Feet of the Sick

Date

ca. 1654

Creator

Eustache Le Sueur

Location

Raclin Murphy Museum of Art

Although he [Le Sueur] came to be known as the "French Raphael" because of his geometric compositions, clear treatment of light, and harmonious use of color, he never traveled to Italy and knew of the Italian renaissance master’s work primarily from prints. The present drawing is a study for the main figure in Saint Louis Washing the Feet of the Sick (ca. 1654, Musée des Beaux-Arts, Tours), painted for the Benedictine Abbey of Marmoutiers near Tours. Figure studies working out the details of proportion, scale, volume, and modeling were an integral part of the creative process, addressed after the composition had been approved. Studies for two other figures in this painting are now in the Musée du Louvre and the École des Beaux-Arts in Paris. Generally, such studies served as guides either for the artists themselves or for their assistants, as they worked on the final canvas. It was the custom of French kings to wash the feet of the poor on Holy Thursday. In 1609 the Counter-Reformation bishop Francis de Sales (1567–1622) published a book entitled Introduction to the Devout Life, which described the tradition in detail. from Snay, The Epic and the Intimate: French Drawings from the John D. Reilly Collection (Notre Dame, 2011)

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Although he [Le Sueur] came to be known as the "French Raphael" because of his geometric compositions, clear treatment of light, and harmonious use of color, he never traveled to Italy and knew of the Italian renaissance master’s work primarily from prints. The present drawing is a study for the main figure in Saint Louis Washing the Feet of the Sick (ca. 1654, Musée des Beaux-Arts, Tours), painted for the Benedictine Abbey of Marmoutiers near Tours. Figure studies working out the details of proportion, scale, volume, and modeling were an integral part of the creative process, addressed after the composition had been approved. Studies for two other figures in this painting are now in the Musée du Louvre and the École des Beaux-Arts in Paris. Generally, such studies served as guides either for the artists themselves or for their assistants, as they worked on the final canvas. It was the custom of French kings to wash the feet of the poor on Holy Thursday. In 1609 the Counter-Reformation bishop Francis de Sales (1567–1622) published a book entitled Introduction to the Devout Life, which described the tradition in detail. from Snay, The Epic and the Intimate: French Drawings from the John D. Reilly Collection (Notre Dame, 2011)
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  • Although he [Le Sueur] came to be known as the "French Raphael" because of his geometric compositions, clear treatment of light, and harmonious use of color, he never traveled to Italy and knew of the Italian renaissance master’s work primarily from prints. The present drawing is a study for the main figure in Saint Louis Washing the Feet of the Sick (ca. 1654, Musée des Beaux-Arts, Tours), painted for the Benedictine Abbey of Marmoutiers near Tours. Figure studies working out the details of proportion, scale, volume, and modeling were an integral part of the creative process, addressed after the composition had been approved. Studies for two other figures in this painting are now in the Musée du Louvre and the École des Beaux-Arts in Paris. Generally, such studies served as guides either for the artists themselves or for their assistants, as they worked on the final canvas. It was the custom of French kings to wash the feet of the poor on Holy Thursday. In 1609 the Counter-Reformation bishop Francis de Sales (1567–1622) published a book entitled Introduction to the Devout Life, which described the tradition in detail. from Snay, The Epic and the Intimate: French Drawings from the John D. Reilly Collection (Notre Dame, 2011)
  • Although he [Le Sueur] came to be known as the "French Raphael" because of his geometric compositions, clear treatment of light, and harmonious use of color, he never traveled to Italy and knew of the Italian renaissance master’s work primarily from prints. The present drawing is a study for the main figure in Saint Louis Washing the Feet of the Sick (ca. 1654, Musée des Beaux-Arts, Tours), painted for the Benedictine Abbey of Marmoutiers near Tours. Figure studies working out the details of proportion, scale, volume, and modeling were an integral part of the creative process, addressed after the composition had been approved. Studies for two other figures in this painting are now in the Musée du Louvre and the École des Beaux-Arts in Paris. Generally, such studies served as guides either for the artists themselves or for their assistants, as they worked on the final canvas. It was the custom of French kings to wash the feet of the poor on Holy Thursday. In 1609 the Counter-Reformation bishop Francis de Sales (1567–1622) published a book entitled Introduction to the Devout Life, which described the tradition in detail. from Snay, The Epic and the Intimate: French Drawings from the John D. Reilly Collection (Notre Dame, 2011)
Eustache Le Sueur (French, 1616 - 1655)
ca. 1654
Drawings
Black and white chalk on brown laid paper, laid down on beige card
2014.061.193
kings
Not on view, please request access
10 1/2 x 11 in. (26.67 x 27.94 cm)
Bequest of John D. Reilly, ND '63, '64

Our collection information is a work in progress and may be updated as new research findings emerge. If you have spotted an error, please contact Raclin Murphy Museum of Art at RMMACollections@nd.edu.